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Monday, March 30, 2015

Is Your Prologue Cheating?



Prologues. Young and beginning writers seem to love them. And, there is nothing wrong with adding one to your story. In fact, they can be very helpful!

But, the problem with them is that young writers oftentimes use them to cheat. They don’t realize it, but their use of prologues is really lazy writing and people can sense that. So, the reader skips the prologue.

Which, for a writer is always bad. If your reader skips something, you’re doing something wrong.

But, how is the prologue lazy writing? How do people use it to cheat?

I’m glad you asked!

  • Info Dumps

I talked about this a while back. An info dump with when you dump a large amount of information on the reader, instead of letting the necessary info work naturally into your story. Many young writers I know use prologues as a means to dump the entire history of their fantasy world on their readers.

The problem with this is that people’s first impression of the book is a boring history lesson they don’t really care about. They don’t know your world or characters so they have no reason to invest their time and energy into remembering any of it. But, the writer usually treats the prologue as the only means in which they convey the necessary info. They assume at the beginning of chapter one that the reader read the prologue and has all the information they need.

Unfortunately, this isn’t always the case. I know a lot of people who skip the prologue. If they don’t find it interesting enough, they just move on to chapter one. But then, they’re so confused because they don’t understand the world’s history that they often end up not finishing the book or enjoying it very much.

Or, the reader opens the book, starts reading the prologue, gets bored, and quits. They never even make it to chapter one.

  • A Teaser to Make Up for a Boring Beginning

Another common thing I see in prologues is that the writer uses it to draw the reader in with some super exciting opening. The prologue is so compelling that the reader just has to keep reading.

But then when chapter one starts is slow and uninteresting and it takes a while before the action picks back up.

It’s like the writer wants the reader to know the book is going to be exciting so they tease the reader with action at the beginning to make up for a boring first couple chapter, hoping the reader will stick around because of how much they enjoyed the prologue.

But, often times, readers will put the book down because they’re no longer interested or they’ll skip until they find something exciting. At any rate, they’re less likely to recommend the book to anyone, or, if they do, they pull down the rating because of the slow start. So, while you may have hooked the reader with your prologue, it’s really just a lazy excuse not to work on the opening chapters to make them more interesting.

  • Innocent Jumps to Warrior

We have all read at least one of these books- the one where the writer goes to great lengths to convince us  that the main character is a sweet, innocent person at the start of the book- whether they’re a child or just a sheltered young adult.

Then over the course of the prologue something happens to the character. Their village is burned. Their parent is killed. They’re kidnapped. Something terrible.

And then the writer ends the prologue with this a paragraph or line or something that indicates the character’s innocence has been stripped away. They are now so jarred by the realities they are facing that they are no longer the person they were on the opening page. A dramatic picture of that would look like the main character’s eyes going red and them silently vowing to have their revenge no matter the cost.

And then chapter one starts some time later when they’ve become a strong warrior or the like, doing things the sweetheart on the first page never would have dreamed of doing.

Then problem with this, is that we’re introduced to one character in the prologue and another in the first chapter. Only, we’re told they’re the same person. But, as have to take the writer’s word for it because we didn’t actually get to see the change from innocent to warrior. We saw the first seed of it, but oftentimes, the character is so different that the reader is left wondering how the transformation happened. How did the innocent from page one become this mighty warrior? How did they do from the character who wouldn’t hurt a fly to the person we see now who is killing people in battle left and right without a second thought?

There’s nothing wrong with this transformation. But, writers tend to use it as a means to explain what happened without giving the readers the emotional payoff they desire. They use it almost opposite an info dump, giving so little details that the reader is left with too many questions.

If you are going to use this sort of prologue and then spend the rest of the book exploring the emotions of the character, slowly providing the reader with the answers they want, that’s great and can be very effective.

But, if you’re going to use this and then only mention the transition once in that scene around the campfire and then again in the black moment or showdown, it’s cheating in the character development department. You can’t just explain away the character’s emotions- or lack of them- by a traumatic experience. By putting it into the book, you promise your readers it’s something you’re going to deal with. If it’s nothing more than a fancy info dump, drop it. Because nobody wants it.

This can go the other way too, with a bad guy in the prologue who vows to become good and then the next scene he’s helping widows and orphans and you’re left wondering how the change happened. Though, usually, this is dealt with better because very often his past comes back to haunt him and the writer deals with change over the course of the book. Like Jean Valjean in Les Miserables

  • We Don’t Know Who to Love

Another way writers tend to use prologues is to add that scene the main character would have no way of knowing about. Or, to add that scene from twenty years ago that was important. There’s nothing wrong with the scene, it’s well written and engaging and leaves the reader wanting more.

But then chapter one starts and we’ve got a whole new set of characters to learn about and the reader suddenly has to start over.

I am very character driven, as you probably know if you have read even a few of my other posts. So, when I encounter a prologue like this, I have a hard time because I’ve become attached to the characters in the opening pages.

Then chapter one comes and said characters are nowhere to be found. It’s as if the writer promises one set of characters in the prologue but then say “Just kidding! Here’s the real set of characters.” And the reader is left wondering if getting attached to them is wise as they’re now unsure if this set of people will get taken away from them without warning as well.

Or, the prologue is about the villain and the reader is left wondering who they’re supposed to care about in the scene and if these are the good guys or the bad guys. You throw a character into a scene, which is told from his perspective, a lot of times, and assume since he’s doing bad things that the reader will know he’s the villain.

But, let’s face it. The anti-hero is very popular right now. So, the reader is left wondering if the person they’re reading about is the hero and if they’re supposed to be supporting these decisions.

Either way, the reader is confused about who they’re supposed to care about. And, the opening pages of your book are critical when it comes to introducing your characters and making your readers care about them. Don’t waste your pages confusing people.


How about you? How do you feel about prologues? Do you use them in your writing? Are there any ways they can be used as cheating that I’ve forgotten?

Monday, March 23, 2015

Are You Using Pinterest Right as a Writer?





I love Pinterest. I love it for a variety of reasons, but when it comes to storyboarding and working on a new ideas, I find it’s beyond helpful.

It’s also a powerful marketing tool, the Pinterest storyboard. It’s a way to reach readers who use that medium and get them interested in your story. A well-developed storyboard could be the thing that ultimately causes your reader to become interested in your story.

I know there are a dozen or more stories I am dying to get my hands on because of the storyboard the writer has for them. But, there are also plenty of stories I would probably never read because of their board.

Why?

I’m glad you asked!!

Here’s a few tips for things you should never do in a Pinterest storyboarding that will help draw readers in and make your boards more appealing:



  • Don’t Wait Until You’re Ready to Publish to Do This

This one isn’t necessarily a way to make your board more appealing, but it will certainly make your book so. Instead of creating a board when you are finally ready to share your masterpiece with the world, start now. Drum up interest so when you are ready you will have many buyers lined up already.

There are plenty of boards I follow whose book I would buy in an instant if I saw a pin to buy the book. But, if I saw the option to buy when I first discovered the board, I might not be as inclined to buy the book.

You want to drum up readers now, get people interested and talking about your idea. Get them excited so that when you are ready to publish, people will be eager to buy your book.



  • Don't Forget to Check Your Descriptions

The worst thing you can do in a storyboard is forget to check your descriptions before you pin something. People are looking at the board to see what your story is about and it is by far better to have no descriptions than someone else's. If it's a piece of art and the description is crediting the author, it's considerate to keep that there. But, otherwise, take it out. It bogs down the board and confuses the readers. Which is something you don't want.


  • Don’t Just Include Pictures of Actors Who Look Like Your Character

So many times when I look at a board, it’s just a bunch of modern day snapshots of famous actors and the caption is simply a name that I presume is the character’s. This doesn’t give the reader any idea of what your story is about, it just tells them who you would cast if they ever make a movie of your book.

Which they won’t if you can’t get people interested in it.

It’s okay to include a few pictures like that. It gives people a feel for what the character looks like and who they are. But, if you want to pique people’s interest, you need to include more than that.


  • Don’t Post Major Spoilers

I can’t tell you how many times I’ve been scrolling through a storyboard that I really like and I come across a caption that reads something like “At the end, when Brian dies.”

Which means I haven’t even read a word of your story, but I now know Brian dies at the end. And, from your board, I know the gist of who Brian is and I like him. But, since I know he dies when I start reading your book that will always be in the back of my mind. Which will either cause me to put down the book because I like him too much to know he’s going to die or it will cause me to become emotionally detached because I know what’s going to happen.

Either way, it’s not good for your book. And, the emotional scene you’ve got planned goes downhill and doesn’t pack anywhere near the punch you want it to. Because you spoiled it for your readers.

If you want to save a bunch of pins that remind you of spoilers, secret boards are great for that.


  • Don’t Post a Bunch of Research Stuff

Have you ever been looking at a board and really loving it and then bam! you come across a chunk of pins that are all links to research sites? If you’re looking for research sites, it’s awesome, but if you’re looking for information about the story, it’s boring to scroll through all the pins about fashion in the 1880’s or western slang.

Or, even worse, your reader might get distracted with these sites and forget they were even looking at a storyboard. Which is bad for you, as a writer.

If you want to save research pins, I would recommend creating a separate board just for those sorts of pins. That way, if someone is looking for those sorts of pins, they can scroll through your board. But, your readers won’t have them interrupt their browsing.


  • Don’t Leave the Description Section Blank

The description section is there for a reason. I am more likely to browse a storyboard with a description because it helps give me context as to what the story is about. And, I know it’s something I’m interested in.

If you’re scared of your idea being stolen, you don’t have to put a lot. Just enough for your reader to understand what’s going on. Even if you just put a high concept (i.e. Greek Mythology Meets Modern Day High School or Modern Retelling of Hades and Persephone) then whoever is browsing your board gets an idea of what’s going on.

Or, you can post a short synopsis if you like. Try to be mysterious and intriguing. Don’t explain your story, drop hints about it. Don’t tell the reader what they’re in for, pique their interest. Draw them in.

For example, which sounds better to you?

Death and Karma meet at a conference and butt heads. When they’re forced to work together sparks fly because of their opposite personalities.
or
He was the picture of ultimate neutrality. He did not decide when people would die, he merely carried out the sentence. She was a judger of men, divining thoughts and intentions. They were never meant to fall in love.


  • Don’t Keep Your Work Hidden Away

It’s really good to share your writing with people. You could have the best idea ever but if people don’t know if you can write, then why would they want to buy your book? Draw your readers in with some of your best lines and quotes from your story. Make sure they’re good ones that represent the book and also show off your talent. They don’t have to be long- even just one of two sentence- but it will give the reader a feel for your writing style.

Writers are oftentimes scared of sharing any tiny piece of their writing online because it might get stolen. Most people who pin things, I’ve come to realize, don’t even pay attention to the caption when they pin it, so your little snippet of writing could be pinned all throughout cyberspace and no one would ever know the quote came from you.

You can always add your name at the end of the quote. Some people even add a little copyright symbol which you can get by holding the alt key and pressing 0169 on the side number pad of your computer.

Or, if that’s not your thing, Pinstamatic is a great resource. You can go to the text section and punch in your quote and then add your name at the bottom. No one can remove it that way and people are more likely to repin it that way. You can even link it back to your blog or website once it’s pinned. Just go to the “edit pin” option and change out the pin source to your site. And then every time the pin is clicked on it will link back to you.


  • Don’t Leave Your Cover Photo the Same

If you don’t know how to change to cover photo of your boards, it’s really simple- go to your profile, pick the board you want to change the cover on, click the “edit” button underneath the board, and click “change cover.” Then pick the picture you want and you’re done.

It’s really important to do this because this is the first impression people will have of your book. The cover photo is by default the first thing you pin. And, that doesn’t always represent your book the best or sometimes the picture’s too big to fit into the cover properly and it gets cropped or cut off.

Once you’ve worked on your board some, make sure you go back and change the cover. Pick the picture of quote that best represents your book. And, keep in mind that color scheme also plays a part in the picture. If you’re book is light and upbeat, pick something colorful. Don’t pick the quote that’s white lettering on a black background because people will get a more serious impression of your book.


And there you have it! Some easy measures to take to make your board more appealing to readers. Now all that’s left is for you to actually get the book finished so you can share it with the world! :D


How about you? Do you have any good tips or tricks you use to make your boards more appealing and marketing worthy?

Friday, March 20, 2015

Not Really Candor Fridays

Hello, Readers!

I planned to post today but didn't get any questions :/

So, no real post but I wanted to stay in contact to let you know I will be posting more regularly from now on (I have my post for Monday all written already!).

Also, I'm going to be giving my blog an overhaul and there will be some exciting new features coming soon as well some exciting news not too far off down the road!

I hope you will all stick around and share this with me. If you have any feedback you would like to provide (topics you would like me to post on or features you'd like to see) please feel free to drop a comment below or email me at jennifersauer73@gmail.com

See you all on Monday! :D

Friday, March 6, 2015

Virtues, Blogging, and Critiques- Candor Fridays

To everyone who has been wondering if I’m alive, I have good news for you: I am. Alive. Mostly.

I’m sorry it’s been so long since I posted! I don’t even have an excuse. I just haven’t posted. But, I’m back on schedule starting today!

And so, without further ado, this week’s (okay, all my back up from the last month) questions!



Harpley asked: What virtue (such as humility, honesty, loyalty, etc.) do you respect the most in a fictional character, (or, alternatively), do you find a specific virtue showing up in a lot of your own characters?

Okay, this on stumped me, I’m not going to lie. And, after much consideration, I’ve got an answer. Sort of.

For me, there isn’t one virtue I respect the most. Looking at some of my favorite characters, I can’t seem to find a common thread. Like, I have loved Edmund Pevensie for many year because of his humility. But then, I love BBC’s Robin Hood and I really wouldn’t apply the word humility to him. So, no, there isn’t one virtue I respect the most.

That said, I will add that for me, a hero needs a strong moral code. I am not and never will be a fan of the anti-hero. If he doesn’t have a moral code or if he does things that are immoral, I can’t respect him as a hero. I might love him for other parts of his character, but he will never be a hero to me.

Now, don’t get me wrong, I’m not necessarily a fan of the stereotypical hero mold. I am not saying you have to do that in order for your hero to be a hero. In fact, I like heroes who challenge my moral code with their own. For instance, the hero of one of my favorite movies- Sam Spade in The Maltese Falcon- does things that make me doubt he’s a hero all throughout the movie. But when push comes to shove, in the end, you realize everything he’s done is because he’s been working toward setting things right.

And then, when I look back on what he’s done, I go, “Why did I think what he was doing was wrong? He was working toward saving the day…” and I realize a lot of what I didn’t agree with is some sort of code that’s been ingrained in me that I don’t know why I believe.

So, strong moral code and the attitude of doing what’s right in the end.

And, as for reoccurring virtues I find in my characters a lot, does a good sense of humor count? Because, otherwise, again, I can’t seem to find a common theme…

Elly asked: How do guest posts work? Do you just ask someone to post on your blog? Does it have to be another blogger?

I have not actually done guest posting before, but I have read up on the subject a good deal while doing marketing and publishing research.

Here’s what I’ve learned:

Usually, the blogger who wants to guest post will do the asking. Let’s say you’re blog is dedicated to fish. If there was a fish expert looking to get their name out there, they might ask if you were interested in them posting something. That way, you have content and they get their name out there. It generally is another blogger, because it gets their own blog out there when you link their post back to them.

However, this is just internet blogging we’re talking about. So, there aren’t specific rules. There is nothing wrong with asking someone to guest post. I know a lot of people would probably be glad they didn’t have to initiate. And, if they aren’t a blogger, but have something to say, then by all means, as long as you credit the writer, you can ask them to guest post.

Essentially, it’s your blog and you can do whatever you like. No one is going to judge you or gasp because you’ve committed some huge internet blunder if you don’t follow the standard method. But, normally, it’s bloggers asking other bloggers if they might be able to post something on their blog.

Doug asked: When you've been blown away by constructive criticism that you know is valid, as I was last week regarding a novela I'm writing, what helps you to rework the passage when you really think that the current rendition was good enough?

At first, I was unsure how to answer this. But, after rereading it, I discovered you answered it yourself, with the wording.

The question to ask yourself is: is “good enough” good enough for you?

As writers it’s so easy to say, “The scene was good enough as it was. Why do people want me to change it?” And, we may very well be right. The scene probably is good enough. If we didn’t make any changes it wouldn’t bring the book down or cause people to stop reading. Some people might even enjoy it.

But, it might not be the best it can be. It could quite possibly be the best scene in your book, if you reworked it. It could be people’s favorite scene or the scene that makes them love the book. It could be the scene they best remember.

Or, it could be less obvious than that. The reader might not realize it was that scene that made them want to keep reading. They might not realize how much the scene adds to the story. It might be subtle and add layers in ways you or the reader can never grasp. But, it will be there, in the back of their mind, adding something.

So, the thing we writers need to ask ourselves, when we receive criticism like this is to ask ourselves “Is good enough good enough? Or do I want this scene to be the best it can be?”

Then we bite the bullet and set to work reworking the scene we thought we’d never have to touch again.


And, there you have it faithful readers! If you have any questions you would like answered, be sure to drop me an email by next Friday!

Sunday, January 18, 2015

The Post About Waiting








You can get so confused 
that you'll start in to race 
down long wiggled roads at a break-necking pace 
and grind on for miles across weirdish wild space,
 The Waiting Place... 

...for people just waiting. 
Waiting for a train to go 
or a bus to come, or a plane to go 
or the mail to come, or the rain to go 
or the phone to ring, or the snow to snow 
or waiting around for a Yes or a No 
or waiting for their hair to grow. 
Everyone is just waiting. 

Waiting for the fish to bite 
or waiting for wind to fly a kite 
or waiting around for Friday night 
or waiting, perhaps, for their Uncle Jake 
or a pot to boil, or a Better Break 
or a sting of pearls, or a pair of pants 
or a wig with curls, or Another Chance. 
Everyone is just waiting. 


~From Oh, the Places You'll Go! by Dr. Seuss


It is impossible to be in the conservative Christian community without having read at least one “purity book.” In my case, I’ve read several. More than several. Well, let’s be honest. I’ve read parts of more than several.

I’ve only read parts, because after one or two, it’s all the same information. Some people just tell it differently. But, the info’s the same.

But, I’m not here to post on the info you find within the pages of every book on purity. I’m here to post about what you don’t find within those pages.

For those of you who don’t know me, I am a twenty-year-old young woman who has never been in a relationship of a romantic nature. Which means I have never been on a date (unless you count the daddy-daughter kind), have never been kissed, and have never told someone I loved them before (in a romantic sort of way).

At this stage of my life, I’m in a waiting period. Waiting for a lot of things, but mostly waiting for the right young man to come and lay claim to my heart. Until that day comes, my heart is on reserve, being kept for “the One.”

So, what’s the problem? I mean, I’m following all the advice the books on purity give. I’m doing it all the right way, the way God wants me to. So, where does the trouble lie? Why am I writing this post?

Because there are so many things the writers of these books leave out. So many things they forgot to mention. And, I want anyone who is in this same place to know they are not alone.

So, things the books forget to mention:

They forget to mention what it feels like to wake up alone day after day. How it feels to fall asleep without another person beside you.

They forget to mention how much it hurts to see everyone around you pairing up and getting engaged or married. How in turn the hurt makes you feel like a horrible person because you want to be happy for the people in your life who have found what you so badly want.

They forget to mention how it feels to want something so badly, to long for it with every part of your being but at the same time be overwhelmed with the reality that you may never see the desire fulfilled.

They don’t mention the sleepless nights filled with tears, the empty afternoons when you don’t feel much of anything, the longing that stirs every time you read or watch any sort of romantic storyline (which is pretty often in our society).

They never offer advice on what to do when your friends are teasing you about someone and all you want to do is scream because you’re tired of people reminding you that, yes, you are still single. They never tell you how to tell your friends to stop because what you think of the person isn’t relevant. It’s what they think of you, and it’s obviously nothing, so it doesn’t matter if you like that person.

They never tell you how to deal with it when people tell you that you’re still single because “God knows the exact right time for it to happen and don’t you want to be the best person you can be when you meet them?” Which always sounds like “You’re not good enough yet and God knows it, so have fun waiting some more.” How do you deal with the insecurity, the desire to be “good enough”?

I don’t want to feel this way. I don’t want it to hurt, I don’t want to cry or feel empty, and I certainly don’t want to feel like I’m not good enough. I struggle with insecurities enough as it is.

Yet, so often I feel like Rapunzel at the beginning of Tangled, going through the motions of my daily routine, all the while wondering When will my life begin?

But, here’s the thing: my life began on July 15th, twenty years ago, in a hospital in Syracuse, NY. For all you pro-lifers, I’ll even go so far as to say it began nine months before that, with two people so in love I grew out of the result of that love.

My life begins each morning when I wake up and decide I have to get out of bed, no matter how I’m feeling. It begins every moment, every breath I take. Every second is a choice to live.

Tomorrow is not promised to me. My next breath isn’t even promised. So, why am I wasting so much time waiting? Why am I putting a stamp on these years God has given me, one that says my life is in limbo instead of the paradise I can make it?

Contentment is hard. It is something I know I will not achieve every day. There will always be days when it hurts, when I want to cry or scream or even both. There will still be nights when I fall asleep alone, wishing I was falling asleep in someone’s arms.

But, I can still make an effort to strive toward contentment. I can march toward it, making that my goal, rather than a dream God may or may not fulfill.

Am I doing things with my time just to busy myself and make this period of my life go by faster? Or, am I doing things for the sake of doing them? Am I enjoying the opportunities God has given me? Or, am I rushing through them, missing the life I have now in hopes of a life to come?

I am not getting any younger. I don’t want to look back someday and regret not enjoying these years. Especially if I never end up married. How foolish will I feel then?

God has given me so many good things- the freedom to focus on writing and publishing; the opportunity to babysit some of the greatest kids ever; the chance to lead a book club of wonderful young girls; the opportunity to pass on my love of writing through my blog, and my students, and the young women in my life who have sought me out for advice and feedback; a sewing room full of projects just waiting for me to start or finish them; an entire library full of books, somewhere near 200, at least, and people I can share those books with; the freedom to stay up late talking to my best friend if I need or want to.

I’m not saying I won’t have these things or better things should I be in a relationship someday. I’m not saying I would have to give all of this up or make a trade, all of this for “true love.” I don’t know what my life will look like should God grant me that desire.

But, right now, my life is pretty amazing. And, I don’t want to let all of this pass me by simply because all of these things are not the one thing I really want. Because, honestly, I want all of these things too. And, I want to enjoy them while I have them, rather than rush through them to something new.

I want to make contentment my goal, my focus, the thing I am working toward. I want to strive to be the best writer/ teacher/ babysitter/ seamstress/ librarian/ blogger/ daughter/ best friend/ sister/ young woman I can possibly be. I want to live my life to the fullest, not mourning the things I do not have, but rejoicing in the things that I do. And then, should God see fit to send a young man my way, he will be a pleasant surprise instead of a necessity.


To end, another quote from Dr. Seuss:

NO! 
That's not for you! 

Somehow you'll escape 
all that waiting and staying. 
You'll find the bright places 
where Boom Bands are playing. 

With banner flip-flapping, 
once more you'll ride high! 
Ready for anything under the sky. 
Ready because you're that kind of a guy! 


How about you? Are you in a place of waiting or discontentment? What’s the hardest part of this period for you?

Friday, January 16, 2015

Arguments and Blogging- Candor Questions





Emily asked: I've been writing and rewriting this one scene for a week now, and finally decided I need help. So, my question is: How do I write a realistic heated argument between two characters?

There are a lot of factors that could change the course of the argument, such as who is fighting and what their relationship is. As I don’t have those details, I’m just going to go ahead and give you the few points the pretty much apply to ever argument:

People don’t make sense
Often times when people argue, they get so worked up about the argument that they’re too excited to actually think rationally. Or, if your character is super rational, they’re probably thinking too rationally. Either way, their words probably won’t make too much sense. I mean, they shouldn’t be speaking nonsense, but they will make nonvalid points as if they are making very valid ones.

People hold grudges
Have you ever started arguing with someone about one thing and then next thing you know you’re arguing about something else entirely? You might be arguing about whose responsibility it was to get the mail this morning and next thing you know you’re fighting about whether or not it was your fault the cover got torn on a book you borrowed from the other person. Especially if there are girls involved, the argument is never about one thing. Never. It’s always about a lot more. Because as humans, we tend to bottle stuff up and when the cork flies out of the bottle, everything comes with it. More than likely whatever caused the argument is really just the straw that broke the camel’s back. There were other things that led up to this argument and whatever caused it was just the final thing whoever was involved is going to take.

Only in fiction does someone ever win
This one really bothers me. According to books and movies, most fights between good characters end with some sort of resolution. Eventually, one of the characters realizes mid-argument that they were wrong or the other person is right and next thing you know they’re apologizing and the argument is ending.

In real life, arguments end when someone interrupts or one or both parties storms off. After they have had time to cool down and remove themselves from the situation, they can then realize that, hey maybe they were wrong. Maybe the other person was right. But, never during a fight. Never. Because remember, they aren’t thinking rationally. They’re trying to win. Which leads to the next point:

People are more concerned with winning than anything else
Remember, the parties involved aren’t thinking rationally. This is why lawyers always get the witness mad (at least in the movies they do. If you have ever seen any sort of movie or TV show set in a courtroom, you know what I’m talking about). Because to the person who’s getting upset (the witness) it’s about winning. We will say or do whatever it takes to win the argument. Even if it means confessing to something we totally meant to keep a secret.

Or, no matter how valid a point one person makes, the other isn’t going to accept it. Or, even if they do, they’re probably going to push it away and look for the problems with that point. Because they want to win. They don’t care as much about what is actually right.

And, not a breakdown of arguments, but a writing tip- body language is a great tool here that not enough people take advantage of. If you show how worked up the characters are in the midst of their words, it creates an atmosphere that the readers can physically feel. If the characters are just sitting there, not moving, while they argue, it won’t feel as authentic. But, if one of them starts pacing, or if someone is clenching and unclenching their fists the whole time, it will add an extra layer to the scene.

If you’re looking for a good resource to help with emotions and body language, this book is great. It breaks down the different emotions and common ways it is shown. Again, helps add an extra layer of depth to your scenes.



Harpley asked: Do you have any advice for someone who might want to start their own blog, or things you wish you’d known earlier in your blogging journey?

First of all, make sure you know what your purpose for the blog is. If it’s a blog you’re just doing for you, it doesn’t matter, but if you want to reach people with it, don’t just make a blog about “stuff” and then post whatever you happen to feel like posting at the moment. Decide what you want to dedicate your blog to and then stick with it. If you don’t 100%, that’s fine, but at least for you have some idea to work with.

For instance, Within the Ivory Palace is dedicated to writing, with some reading stuff thrown in. So, I either post news about my writing, posts about writing advice, short stories or excerpts, or book reviews. Then, on Fridays, I’ll post other stuff, if people ask (and, I’m totally cool with them asking!) But, otherwise I try not to post too much about other stuff that isn’t related to my theme.

Second, make a schedule. Something I have noticed is that my page views peak on Fridays and Mondays. Why? Because that’s when I post. Even on weeks that I skip for some reason, people seem to check back to see if I have posted.

You don’t have to post twice a week. You don’t even have to post once a week. I would suggest no less than once every two weeks but otherwise, you can make it as flexible as you want.

And, lastly, write with confidence. This is your blog. You are writing about what you are passionate about. Take hold of that. Something that is often repeated in my house is “Confidence perceived is confidence achieved.” No one wants to read a blog by someone who is constantly saying, “I’m not really sure about this but…” Even if you never actually say those words, if you feel them, your readers will sense it in your writing. So, write boldly. Write with authority. This is your blog, your thoughts, your take in things, And, if someone disagrees with you, well, that’s their right.


And, that’s that! If you have a question for next week, be sure to send it in! In the meantime, I shall see you all on Monday!!


Monday, January 5, 2015

So You're Building a World? -- Part One





It seems like every time I turn around I meet an aspiring writer who is working on a fantasy. I’m not sure what it is about fantasy that makes everyone love it so much and want to write it (okay, if I thought on it enough, I’d be able to figure it out… but that’s a post for another day).

Right now I want to talk about world building and creating a culture for your fantasy story. It’s one of the most important areas of the planning stage, but one feel a lot of beginning authors fail in.

Here is a list of stereotypes I see a lot and ways in which you can fix them:



     

Everyone Speaks the Not Only the Same Language but Also the Same Dialect

Why is it that in fantasies everyone seems to speak the same language? Like, all the elves speak the same language, and the humans can all communicate with each other, and then the fairies have their own way language too.

In reality, this is far from realistic. After all, we have how many languages in use in the world today? A quick Google search offers an approximation of 6,500. Out of that number, 2,000 of those languages are spoken by less than 1,000 people. I’d like to read a story about the girl who comes from a dinky little village and only speaks a language a handful of other people speak. That would be cool!

And, if you don’t want to mess with other languages, take a look at all the different regions in the US. Sure, we all speak English, but not only is it a completely different form of English that the British speak, but we don’t even all speak it the same. Where we’re from will determine the dialect we speak. I mean, go ahead, ask a group of people from different places in the US what the fizzy drink is called and take note of the answers. Is it pop? Is it soda? Coke? Soda pop?



         
Diversity is a Matter of Class, Not Race

Why aren’t there more races in fantasy? How come there are just elves or dwarves or humans? Why aren’t there races among them? Again, look at the world around us. So many people. So many different people with history and culture and stories. Why do we sell ourselves short when creating a fantasy world?

We can create an entire world of different races and people. Did you get that? You have the potential to create an entire world. A whole world. And instead, we sell ourselves short by going, “Yup, they’re humans. They have one history. One culture. One language.”

Even you don’t want to go crazy with the culture thing, there should still be diversity. After all, take a look at the Normans and the Saxons. The Russians and the Ukrainians. The Chinese and the Japanese. All cultures that an outsider might say were very similar. We might even go so far as to confuse the two. But they also hated each other and the thought of being mistaken for the other was (and still is, in some cases) an insult.



      
There is One Religion and All the Good Guys Adhere to It

If you take a quick look at the world around you, you will see people never agree on anything. If they did, there wouldn’t be a reason for political parties or different religious denominations. Even within cultures you will find people who disagree or want to change things. Take a look at the different Amish sects. It’s human nature to go against the norm. And yet, in our fantasy worlds, everyone who is on the right side agrees and then all the bad guys agree with each other. It’s as simple and black-and-white as that.

But that’s wrong. I mean, Christians, look at all the people in the world who are “good people” but aren’t Christians. They would never do anything to harm another person or go against the strong moral code they live by, but they’ve rejected the truth of Christ. Does that mean we have to classify them with the bad guys? Because they wouldn’t agree with the hero’s beliefs. Or, have to have them convert to that belief by the end of the book. They just don’t understand. Or they haven’t been presented with the truth. Once they see the hero, well, they just can’t help but get saved.

Unfortunately, there are a lot of good people in the world who won’t ever get saved. And, sad as it is, it’s the way of things. I never want to stop fighting for a person’s soul or just accept this as fact, but in my writing, I can’t be realistic and have everyone who is fighting on the side of right believe what I do. Even if my hero is the best Christian anyone has ever seen, I can’t make everyone he touches believe in Christ. Everyone Christ touched didn’t believe in him.



    
Everyone Agrees on Everything

Along the same lines, but getting off the subject of religion, how many young adults do you know who agree 100% with their parents? Even the ones who love and respect their parents like nobody’s business. How many of them believe every single thing their parents do and plan to raise their children the exact same way their parents raised them?

I’m willing to bet not too many. You might know one person. If that. Because even the best of parents fail or get things wrong. And, while I agree with my parents on a lot of things, there are things I will probably do differently when I have kids. Why? Because I don’t agree with them. Whether that makes them wrong or me actually isn’t the issue here.

The point is, cultures change and adapt. All too often we have one character who wants something different for their life while the rest of their world is content to go about their daily lives happy as can be.

I’m not saying every child in your story needs to rebel. But, people always want more. They want the best for themselves and their children that there is. And, the man who packs up his family and drags them halfway around the world, seeking a better life, and the man who keeps plugging away, day in and day out, refusing to uproot his family, are often both working out of the same desires. But, that doesn’t mean that the man who plugs away is content with the way things are. That doesn’t mean he wants it. But, he’s doing what he feels is right and best.

In your culture there should always be differences. There should always be people who disagree, even on the little things. Politics. The proper way to treat a wound or have a baby. Whether it’s right to pay taxes. And, again, this should not be a matter of good guys on one side, bad guys on the other. Maybe the guy fighting to overthrow the social structure of the world, believes in paying taxes for some reason. It could happen.




The Only Social Issues are Ones that Relate to the Story

Abortion. Gay rights. Feminism. The separation of church and state. How many of these social issues affect your everyday life? I’m willing to guess that you don’t have to deal with every single one of these every single day. Sure, you might have to deal with one of them because you and a coworker are in disagreement. But all of them? Every single day? I think not.

But, you have an opinion on all them, right? Even if you have never known anyone who has even considered having an abortion, you have an opinion on whether it is right or wrong. And whether or not you’re a feminist, you have a clear opinion on the issue of women’s rights.

Because there are always more social issues than the ones we’re dealing with. I may devote all of my time and energy to one cause, but that doesn’t mean I don’t have an opinion on other causes. You don’t have to deal with a million social issues in your story. But, let your reader know they’re there. We tend to add this element to our stories that if the hero succeeds in fixing this one issue, then everything will be perfect.

But, maybe the hero is trying to stop the slave trade. Does that mean that women aren’t ever treated poorly in your story? Does that mean their faith isn’t being persecuted too? Does that mean once all the slaves are free, life will be perfect? Just because a hero chooses one issue to fight when there are many in his world, does not make him weak, but indeed, stronger, because he is willing to taking things one step at a time and not get overwhelmed by the idea that he will never be able to fix everything.




Social Issues are the Government’s Fault

Along those same lines, why are social issues always the government’s fault? Have you ever considered maybe they haven’t passed a law concerning women’s rights because they’re too busy trying to stop the slave trade? Like your hero, the government can’t fight every issue at once.

Not saying you can’t have an evil government. Because if you want to, go ahead. But, keep in mind that it is cliché so you might want to try doing something different.




The Government is Simple and Straightforward

This one always cracks me. Like, have you never studied any sort of government ever? In fantasy, there tends to be a king or queen in charge of everything and sometimes they have advisors and stuff who they never listen to.

Which is actually kind of lazy, like the author decided to skip out on the worldbuilding part and instead of actually creating a believable government, they were just like “The monarch person rules everything.”

Take a look at the American government system. We have a president and a vice president. We have the senate and congress. We even have rules on a smaller level, governing the states and counties and cities. Seriously, the whole thing makes me head spin sometimes. And, that’s just the American government system. Don’t get me started on Britain, or ancient Greece, or Rome, or anywhere else for that matter.

The point is, the more complex the government, the more realistic, and the harder the task for the hero. Which is good. You want him job to be hard. If it was easy, who would want to read your book? And there are so many different government types, creating one would be fun, don’t you think? Again, whole world at your fingertips. You can do whatever you want.





And, I’m kind of running out of room with this post so I’ll end here. Keep an eye out for Part Two next week.

Oh, and if you’re looking for some great questions to help you with your worldbuilding, you should check these out as they have helped me a lot in the past: http://bethisad.com/conculture/questionnaire.htm

And, in the meantime, I shall see you all on Friday!


How about you? Do you agree or disagree with me about these stereotypes? Was this helpful in anyway? Do you have anything to add that I might have missed?